Archive for March, 2007

Iman Maleki: Images of Iranian Nature

Friday, March 16th, 2007

I have always been impressed by realism in painting, among the many fascinations I had for the artistic -isms. Today I am sharing paintings by an Iranian realist called Iman Maleki. Iman Maleki was born in Tehran in 1976, and he has a website that you can access by clicking here. The website features the artist’s works (in much bigger sizes than the ones shown here), and I am sure many of you will find them simply stunning.

I came across Iman Maleki’s work by pure chance as I was googling images randomly, searching for exotic visuals (one of my favourite pastimes). Here are my favourite paintings; and as you shall presently see, they are of women. I believe I appreciate Maleki’s creativity because it also involved veiled women as models of beauty and wonder, instead of portraying them as objects of captivity and decline. There is nothing more profound than art that speaks to you.

A Girl by the Window

Memory of that House

Omens of Hafez

Detail 1 - Omens of Hafez

Detail 2 - Omens of Hafez

Untitled 100

Sunlight

Update: Italy the one and only. A Century of photography 1900-2000

Thursday, March 15th, 2007

I just received the following update concerning the photography exhibition “Italy the one and only. A Century of photography 1900-2000″:

Due to the adverse weather conditions, the National Gallery of Fine Arts has kindly asked us [the Italian Embassy] to postpone the inauguration of the Exhibition “Italy the one and only. A Century of photography 1900-2000”. We agreed to hold the inauguration on Saturday, March 17th 2007 at 06.00 p.m.

Short Movie: Oh, Yellow Scorpion

Thursday, March 15th, 2007

Keep Walking: A Movie of a Turtle

Wednesday, March 14th, 2007

مخاطر البريد الأردني على الصحة

Tuesday, March 13th, 2007

لمدة تجاوز السنتين لم أتمكن من استقبال أي بريد خارجي على صندوق البريد الخاص بالعائلة. من العجيب أن تصلنا كل الفواتير و الدعايات و الوثائق الداخلية (بمعنى أنها ترسل من داخل الأردن) و أن لا تصلنا أي طرود أو بطاقات معايدة أو رسائل من الخارج.

للوقوف على حالة محددة من العجز البريدي الأردني, و بعد محاولات كثيرة من أشخاص خارج الأردن لإرسال أنواع مختلفة من “الأشياء” حتى نقطع الشك باليقين إن كان العجز مقتصراً على “أشياء” دون أخرى, سأقصر الحديث على نتائج امتحان اللغة الإنجليزية لغير الناطقين بها أو التوفل.

كان من المفروض, و قد أصدرت النتائج في منتصف شهر كانون الأول الماضي, أن تصلني رسالة بالبريد تحتوي على نتائج الامتحان, و لكن عندما انقضى شهر كانون الثاني و لم تصل قمت بإرسال استفسار إلى الهيئة المشرفة على الامتحان أسألهم إن أرسلت النتائج إلي و كان الرد بالإيجاب و تم أيضاً تأكيد العنوان البريدي. بالطبع طلبت إعادة إرسال النتائج (لأنني بعد ذلك سأضطر إلى شراءها إذا احتجتها) و عرجت على مكتب البريد لأؤكد للموظفين أنني أنتظر رسالة في غاية الأهمية و أن النسخة الأولى منها لم تصل, فما كان منهم إلا أن ألقوا باللوم على البريد المركزي.

و مرت الأيام و لم تصل الرسالة الثانية, فبحثت عن رقم شكاوى البريد لأسجل شكوى رسمية. و للعلم فقط, لم أتخيل أن العثور على رقم شكاوى البريد هو بهذه الصعوبة, فمأمور مقسم الاستعلامات لم يستوعب أنني لا أريد رقم الاتصالات الأردنية و على الرغم من الشرح و التكرار أعطاني رقماً خاطئاً. أضيفي إلى ذلك أن الرقم المنشور في الجريدة غير صحيح, و أن رقم شكاوى البريد الموجود على إحدى قسائم الدفع غير “مأهول” بمعنى أن لا أحد يجيب الهاتف!

المهم, في النهاية وجدت رقماً و طلبت أن أحول إلى قسم شكاوى البريد و بالفعل قام النشمي بتحويلي إلى موظف الشكاوى و دار بيننا الحوار التالي:

أنا: معلش أنا مو عارفة وين المشكلة إزا عندكم و لا عند مكتب البريد, بس إحنا ما عم يوصلنا بريد خارجي بس أي إشي داخلي بيوصل. هادا الحكي صارلو سنتين و انبعتلنا كتير أشياء مو بس طرود و ما وصلوا. احنا صندوق بريد كزا كزا و مكتب بريدنا كزا كزا.
موظف الشكاوى: طيب يا أختي ليش دايمأ بتحطوا الحق على البريد الأردني؟ مش ممكن تكونوا معطين العنوان غلط؟
أنا: لأ, لإنو هاي القصة صارلها سنتين و مو شخص واحد اللي عم يبعت, في أشخاص و هيئات كتير بعتت أشياء و ما وصلوا. بعدين كيف العنوان غلط و هم بأكدولنا العنوان و إحنا بوصلنا البريد الداخلي؟ يعني مع تنوع الجهات اللي بتبعت, البريد الأردني هو الإشي الوحيد المشترك!
موظف الشكاوى: طيب هاذا بريد مسجل ولا عادي؟
أنا: عادي
موظف الشكاوى: إذا بريد عادي أنا ما بقدر أتتبعه, أما إذا مسجل منقدر نتتبعه و نشوف شو صار
أنا: شو يعني لازم كل الناس تبعت بريد مسجل مشان يوصل؟ مش معقول يعني مو كل الناس بتقدر تبعت مسجل! و الباقي خلص بضيع؟ ليش اسمه البريد الأردني لكان إزا هو بس للبريد المسجل؟
موظف الشكاوى: و الله البريد العادي ما بقدر أتتبعه
أنا: طيب بقدر أسجل رقم شكوى؟
موظف الشكاوى: أعطيني رقم تلفون المنزل

و هكذا انتهت المكالمة غير المثمرة لشكاوى البريد الأردني, و قد أصبت بحالة من “سم البدن” كنت أتمنى أن أتفاداها و أن أرسو على بر مع البريد الأردني و لكن و الحق يقال, طلعت “فستق فاضي.”

Ideal Pouring of Mind

Saturday, March 10th, 2007

In the car on my way home today I was truly inspired. The weather was beautiful, the sun not too hot, and the wind warm to a perfect degree. I wished I had my laptop with me right then and there to record what I was feeling.

All of a sudden I wanted to e-mail a long-gone intimate, and I wanted to write some five articles all at once. I saw the articles forming in my mind’s eye, and I knew exactly what to say and how to say it.

I wanted to say things that had been bottled up way deep in my head that I never could really fathom them, but in a moment of clarity I knew precisely what they were and I was able to physically feel them. It was almost orgasmic.

The minute I arrived home, I found the place dark and cold. The sun outside was still warming the garden and the veranda, the cacti seemed to bathe in its warmth without a worry in the world. The house, in contrast, was frozen and still.

I had to remain inside for ten minutes to change and arrange my things. By the time I came out again, the heat from the sun was gone. My cold room absorbed that tranquil warmth and my limbs, due to my poor blood circulation, stiffened and turned cold.

When I rushed outside the sun had fainted. The warmth was no longer there and it was replaced by a slow, steady, cool wind. Everything basked in the shade and I kept searching for a patch of light to rest in, in the garden and in the veranda, to no avail.

I also lost my muse. She’s too illusive in the cold.

Photography Exhibition: ITALY. THE ONE AND ONLY - A Century of Photography 1900–2000

Thursday, March 8th, 2007

The Italian Embassy in Amman is organizing a major photography exhibition from March 15-29, 2007 at the National Gallery of Fine Arts. The exhibition is titled “Italy. The One and Only - A Century of Photography 1900-2000.”

I received the following press release from the cultural bureau (grazie a M.L.I) and, of course, I will visit the exhibition:

ITALY. THE ONE AND ONLY - A Century of Photography 1900–2000

Amman, Jordan National Gallery of Fine Arts, Jebel Alweibdeh, March 15-29 2007

Jordan National gallery of Fine Arts, with the patronage of Princess Ghida Talal, and in cooperation with the Italian Embassy in Amman presents a photography exhibition, a hundred years long, to tell the story of Italy, the one and only. Truly one and only since, despite its many facets and inimitable features, Italy has made a name for itself throughout the world and whatever sector comes to mind, it will always have something uniquely Italian. Throughout the twentieth century Italy was defined for better or for worse by the succession of events, anomalies and aspects that marked its development. Today, on the threshold of the third millennium, in the face of any possible attempts at cultural splintering and hoping to confirm anew the uniqueness of this country and its history, we intend to celebrate it all with an exceptional photographic exhibition.

A hundred years ago, Alinari (the oldest firm in the world in the field of photography) already had fifty years experience to its credit in documenting the story of Italy, and was offering the world the history of art in pictures. Today Alinari is presenting the public with a visual coverage of a century of events in the life of this nation, and is presumptuous enough to hope that the visitor will pause, however briefly, before a picture in sudden awareness of just how much has happened in these hundred years.

Curated by Cesare Colombo, the exhibition includes twenty-two thematic sectors, in each of which the various topics are dealt with according to style and period. The photographs are by well known Italian and foreign photographers and have been classified in keeping with the great historical subdivisions of the twentieth century. From the early 1900s the exhibition moves on to the Twenties, then to World War II, the 1960s and lastly to the current decades. With the «archaic» Italy of uncontaminated landscapes and people whose faces reflect their struggles and determination as its point of departure, the exhibition moves on through wars and famines, narrating the development of the nation in pictures of monuments and architecture, means of transportation, industry, crafts, design, fashion, food, education, art, literature, music, theatre, cinema, radio and television, medicine, up to the latest technological and scientific conquests. The land is crossed from east to west, from north to south. The fields are farmed. Hamlets and cities grow. Life goes on apace in the homes and factories, and in the service sector. Communication networks criss-cross the country. Bartering and selling. Eating and dancing. Holidays at the sea, tourism and folklore are other salient features of our collective image. But the social changes in the 20th century are also marked by the flow of migrants: up to thirty years ago emigration, and now immigrants to Italy in search of economic security.

The 204 photographs on exhibit, by over 140 photographers, have been carefully selected from the collections of the Alinari Museum, the Alinari archives and the principal Italian and foreign museums, as well as from those of the photographers themselves. The pictures of a century ago by Alinari, Brogi, Wulz, Nunes Vais, Michetti (to name only a few) are countered by those of Leiss, Lattuada, De Biasi, Patellani, Berengo Gardin, Giacomelli, Basilico, as well as by the most famous non-Italian photographers who focussed their cameras on Italy, such as Stieglitz, Cartier-Bresson, Capa, Klein, etc.

The opening will be on March 15 2007 at 6 pm and will run until March 29 (opening hours: 9 am-5 pm). A representative of the Italian archive, Dr. Sesti will attend the opening of the exhibition be ready to provide further details on the event.

Jordanian Songs Online أغاني أردنية

Tuesday, March 6th, 2007

I found this great site that lets you download all-original Jordanian songs, old and new, for free! This is great news for anyone who grew up listening to these songs (even if forced into it): http://www.vivajordan.net/

موقع للاستماع و تنزيل أغاني أردنية مجاناً: http://www.vivajordan.net

Paintings by Nerida de Jong

Tuesday, March 6th, 2007

I received some beautiful paintings as email attachments just now, and I fell so much in love with them that I want to spread the joy. The paintings are by Nerida de Jong, an Australian artist born in 1945 in Sydney. This is one page I could find about Nerida de Jong, and it features a collection of her art.

La Fille Malheureuse
 

Nadia & the Cats

Sleeping Mother & Baby

Trekking Through the Snow